"No creo que el cine sea como otras formas de arte en el sentido de que es una cosa; no es un objeto terminado, es una experiencia."

Film isn’t just a static piece of art like a painting or a sculpture. It’s something you experience. Think about it: when you watch a movie, you’re not just observing - you’re immersed in it. The lights dim, the sound surrounds you, and you’re transported to another world or another person’s life. It's dynamic and alive, engaging all of your senses and emotions.

Historically, this idea traces back to when films first became mainstream in the early 20th century. Unlike paintings, which you’d view in a gallery, or books you’d read in solitude, movies were shared experiences. People gathered in theaters, laughed together, cried together. Filmmakers like Alfred Hitchcock or Steven Spielberg understood this deeply. They crafted their films not just as stories but as full-on experiences, understanding the power of suspense, surprise, and wonder in a communal setting.

Here’s a real-life example: think of the movie "Jaws." When it was released in 1975, it wasn’t just another film. It was a phenomenon. People flocked to theaters, and the suspense created by the unseen shark, combined with John Williams’ iconic score, made the experience unforgettable. It wasn’t just about the story of a shark terrorizing a beach town; it was about the collective gasps, the popcorn flying during jump scares, and the palpable tension in the room. Those who watched "Jaws" didn’t just see a movie; they lived through an event.

So how do you apply this idea in your life? If you’re a filmmaker or a storyteller, think beyond just the narrative. Consider how you can engage and move your audience. Use sound, visuals, pacing, and even the communal setting to create an experience that sticks with them. If you’re an educator, think about how you can make your lessons more experiential. Instead of just reading from a textbook, create an interactive experience that your students will remember.

Imagine this scenario: you’re at a small indie film festival. The director of a short film comes on stage after the screening and talks about how she put hidden clues in the background of several scenes. You realize that the film was layered with these little details that you didn’t catch the first time. It makes you want to watch it again, to experience it anew and uncover what you missed. This turns a simple viewing into an engaging hunt, making the film more than just something you watched - it becomes an event you participated in.

The magic of film lies in its ability to transcend the static nature of other art forms. It’s not just something you see; it’s something you feel. So the next time you’re creating or consuming a piece of art, think about how it can be more than just a finished object. How can it be an experience? How can you draw your audience in, make them feel, and leave a lasting impression? It’s not about perfection or polish - it’s about connection and experience.